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· Behind The Green Door Oral Scene Marilyn Chambers, Johnny Keys, xxxymovies, vintage, lecken, interkulturell, klassisch, gruppensex, amateure. MARILYN CHAMBERS (BEHIND THE GREEN DOOR) Marilyn tells the story of how she started making PORNO MOVIES. Her first movie was. Schaue Behind the Green Door () auf raftsjohojden.se! xHamster ist der My Ex-wife and I Recreated This Scene In A Swing Club in Phoenix Several Other. Schaue Behind The Green Door auf raftsjohojden.se! Love the interracial scene when the black guy came in and there was bit white woman. Es wurden Behind the green door GRATIS-Videos auf XVIDEOS bei BANGBROS - Monsters Of Cock Interracial Scene Mit Natalia Starr und Jason Brown.

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It features Marilyn Chambers , who became a mainstream celebrity as a result, and was one of the first hardcore films widely released in the United States.

It was adapted from an anonymous short story of the same title, which had been circulated illicitly for decades by means of carbon copies.

She is saved by Barry Clark McDonald who runs from the audience onto the stage and carries Gloria off through the green door. Earlier this summer, we visited George McDonald in California.

Pre-production planning on Behind The Green Door had been going on for several months before I got a call from Jack telling me that the Mitchell Brothers and Cine-7 productions were preparing to cast for the film.

For months I had been told that I would get one of the leading roles. I was given special attention in the casting as a final payoff for the other eighteen films that I had labored through for the Mitchell Brothers.

Jack had told me that there had been a really great response to the ad in the Chronicle. But when I showed up at a little get together at Stage A for all of the people who were to be in the film to meet one another, I was a bit disappointed.

No one had any special looks, bearing or character that made me think they were any more professional than anyone else I had worked with before.

The entire crowd, in a word, looked mediocre. In fact, once I started talking to some of them, I realized that hardly anyone there had any acting experience whatsoever.

I even recognized a few old pros, including one girl who had been in Powder Burns some time before. There were quite a few long-hairs, but a strange variety at that.

One was a lawyer, one was a railroad engineer, another was a musician and another was a junior advertising executive, but no actors. One fellow who was playing one of the leads was a guy named Yank.

Yank was in his middle forties and was a junk man by profession. He had learned acting during the depression as part of a federally sponsored work program.

He had been involved in the theatre in New York. But now, about all he did was standup comedy for hospital benefits. There was one cat whose most noticeable achievement was that he had been the stand-in for Al Pacino when Francis Ford Coppola had re-shot a scene for the The Godfather up in Ross.

The rest had done lightweight stage work, or had been extras in crowd scenes for some major motion pictures that had been shot in San Francisco.

Probably the biggest name in the film was Ben Davidson. Ben was not an actor either, but an all pro defensive end for the Oakland Raiders.

He had agreed to do a cameo appearance, but keep all his clothes on. Jack had contacted Ben about a year before when he, Jack, was working for Alex de Renzy.

At that time Alex had an idea for a straight film and had gotten together with Ben to talk about playing the lead.

That film never got off the ground but Jack talked to Ben about being in a porno. Ben thought it might be a laugh and agreed to be in the film. Behind The Green Door marked the first time in the industry that we were given contracts, something we had been talking about for a long time.

I guess the real reason for the get-together that day was to have us all there at one time to sign our contracts.

If everyone was there at one time, they could be hustled through faster, everyone could be talked to at one time, and there would be a lot less questions to answer.

When it came time for us to talk about contracts, they told us about another new idea they had worked out. They were going to pay everyone more money than they had ever been payed before for working in a porno, but the major portion of the money would be deferred for six months.

It was a nice idea but in the end it proved to be a monster headache. Most of the people were in the film for the bread. Few of the people had any other source of income and waiting six months for their money was a long time.

About two weeks after the finish of Green Door , the phones started ringing and people were asking if there was any way they could have their money.

Another reason for having everyone sign a contract was that it committed them for the length of the film.

Before you were never sure that if someone said they would be there that a week later they would be there. At least by signing a contract they had a legal and moral obligation to be there for the start and the finish of the film.

Before, if you got someone to agree to be in a fuck film, they were on such a short production schedule that the producers would probably use the person that day or on the next.

Even when they got into features the shooting schedules were usually limited to about a week. Shooting on Behind The Green Door was scheduled to last for four weeks.

If anything, it might have meant trouble for the producers of the film because it was evidence that they had conspired to commit an act of oral copulation.

Conspiracy to commit an act or oral copulation is also a felony. A friend of mine, Lloyd Downton, had already done a year for conspiracy to commit oral copulation on circumstantial evidence.

I sat down on one of the desks and looked at Jim who was leaning against the window. And two per cent of the film? A minute later though, he came back to the money and asked me if it sounded okay.

Every morning that I got up and put them on, I had to think about when I walked into the Salvation Army and picked those shoes out.

Dull hush puppies. I took the two hundred and fifty dollars and went out and bought a brand new pair of cowboy boots, some new Levis and a new Levi jacket.

I felt like a new man. Before we started production I went through a little bit of trauma… Jim wanted me to cut my hair.

I suffer from a Sampson complex. The part I was going to play was that of a young junior advertising executive. Before he could cut it off though I had to take him back to his apartment to get his scissors.

John had a Marine-boot haircut, black satin pants with diamond sequins, a see-through Indian shirt, about forty silver bracelets on his arm and two earrings in one ear.

I mean to be hip is cool, but where is straight at? Rhetoric always twists my head. Hippies laugh at the straights. John cut my hair the way that I wanted it, which was long but neat.

One look in the mirror though and I went into instant depression. First impression of Marilyn was that she was pretty and wholesome looking.

I could tell after talking with her for a few minutes that she was totally into the film. She also loved to drink beer and smoke marijuana.

Even first thing in the morning when everyone else was struggling over coffee she would have a can of beer in her hand.

There also seemed to be more cocaine around than ever before, but there was more money available and Jack, who was casting director, had great coke connections.

Marilyn seemed more professional than any other girl that I had worked with in any prior films. She had been in a film that was shot on the East Coast called Together , an X-rated quasi-documentary about sensual encounter groups.

For the first time we had a hair stylist and a makeup girl on the set every morning. Both of these individuals were being paid one hundred dollars a day for doing hair and makeup.

More than I made for most of the films that I had been in in the early days. The Mitchell Brothers were even starting to think about wardrobe.

For my part, Jim and his wife bought me a two hundred and fifty dollar outfit so that I would at least look like the part I was supposed to be playing, the junior ad man.

For the first day of shooting we were scheduled to shoot on location at the Alta Mira Hotel, a plush resort hotel in the hills above Sausalito. For the first time we were going to shoot an exterior scene without having to leave the engine running.

In the old days few people would let you use their place of business if they knew you were shooting a porno.

So, we would drive up to the spot we wanted to use, leave the engine running, and get into position. The cameraman would jump out and shoot the scene, then we would all pile back into the car and roar off.

It was almost like an armed robbery rather than movie location shooting. The actors and actresses were ushered into a suite that had been rented for the day, and the crew, which numbered about ten people for this production, went over to the lobby to set up.

When it was time for us on the set, we walked into a scene that looked like it was straight out of Hollywood. Technicians running around, make-up people, script girls, still cameramen, and production assistants.

For a moment I really felt like I was a star, at least an actor. The old Alta Mira restaurant and hotel — now a drug rehab center.

They were relatively simple scenes and in the old days would have taken only a few minutes to shoot, but they wanted this one to be right and so it took several hours before Art said we had finally gotten what we needed.

Art was the director of this one, and Jim was acting as producer. Benton was still doing sound and Fontana was still chief cameraman. They had hired a professional lighting man.

During one of the breaks in the shooting an old lady who was staying at the hotel came up to me and asked what the name of the movie was. Other people would walk by and see the makeup girl straightening up my make-up and they would whisper to one another, trying to figure out who I was.

I was in my glory! When I got there it was like walking into a morgue. All the technicians were standing around pointing at each other and shaking their heads.

I assumed that they had already seen the rushes. I stood back out of the way and Jim came up and said that they were going to take another look at the rushes if I wanted to watch.

The film was as bad as ever. None of the film was useable. They finally solved the problem by changing the film and using the old type that both Jon Fontana the cameraman and Bucky the lighting man, were used to.

They also fired one of their production assistants rand Jim took over the directing from Art. The plot of the Behind The Green Door was basically that Marilyn was ripped off from her hotel room and taken to a private club where she was taken on stage and made to perform a sexual act with six girls, then six guys, then a solo with a black cat, then with everyone at one time, including three guys who are on trapezes.

As the action increases, the audience, numbering about fifteen, gets so turned on that they start getting it on. The whole thing turns into a giant free for for all with everyone fucking and sucking everyone else.

As soon as Marilyn walks out onto the stage I realize that I recognize her from the hotel. Imagine a major celebrity like Davidson appearing in an adult film today!

It gives a glimpse of an era of sexual freedom that was sadly lost with the AIDS crisis and the incursions of the religious right.

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Crazy Credits. Alternate Versions. Rate This. A beautiful woman is abducted and initiated into a live sex act on a private stage, participating in lesbianism, interracial sex and a public orgy.

Directors: Artie Mitchell as Artie J. Mitchell , Jim Mitchell as James L. Writer: Anonymous story. Stars: Marilyn Chambers , George S.

Added to Watchlist. Guide for the Film Fanatic by Danny Peary. Sex, Censorship and the Silver Screen. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Edit Cast Cast overview, first billed only: Marilyn Chambers Gloria George S. Barry Clark Johnnie Keyes African Stud Elizabeth Knowles Matron as Lisa Grant Yank Levine Dudley Toni Attell Mime as Toad Attell Ben Davidson Doorman Adrienne Mitchell Waitress Dana Fuller Cook Dale Meador Parking Lot Attendant Tony Royale Guard Bunny Brody Learn more More Like This.

The Devil in Miss Jones. The Opening of Misty Beethoven. Resurrection of Eve. Taboo II. Deep Throat Adult Comedy.

Adult Comedy Fantasy. Debbie Does Dallas The Grafenberg Spot Adult Drama. The Image Jean becomes interested in friend Claire's kinky sex with slave Anne.

Score Comedy Drama Adult. The Devil in Miss Jones

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After several weeks of shooting the preliminaries, we had to break for a week while Jim and Art were in court over Reckless Claudia. When there was finally a break in the trial, they assembled everyone in the cast and got ready for the big scene.

On the morning of the big scene, we all had to show up at A. Even though there were more than thirty people in the scene they somehow managed to get everyone made up and in costume in only a couple of hours.

Stage A had been turned into a fancy club with huge hanging drapes, Persian carpets and large overstuffed couches facing a stage. Above the stage were three trapezes and at the back was the ominous Green Door.

Since this particular scene was the meat of the Behind The Green Door and certainly the most complicated in terms of numbers of people and action involved, they shot most of the hard-core stage action with Marilyn the week before.

Today they were going to run through the scenes where Marilyn is first brought out on stage. Then the scene where she is made love to by the six women and the scene where she is made love to by everyone at one time the audience excluded.

Since it was such a freak scene, there probably should have been a closed set. But there were almost as many spectators as there were participants. We all got into our positions and Jim gave us a brief run down on what he wanted.

The scene with Marilyn and the six girls went quickly. This was the warm-up act for the headliner, Johnny Keyes. In this scene, the six girls were holding Marilyn down on a big pillow in the middle of the stage with a big spotlight centered on her.

The house lights went down and the spotlight moved back to the green door. It opened and out stepped Johnny Keyes. Johnny is a black cat.

He had been in Hair and a few other stage plays, but this was his first porno. We all waited for a few minutes then Kandi came running out and got back into her position.

It certainly looked more impressive than before. Johnny walked slowly around and faced Marilyn, then went right down and started giving her head.

After a few minutes of this, they cut while one of the chicks got him hard again for the insertion. Pretty heavy. I mean to have to stand there while the spotlight is on you and fifty people watch while you try to get it up.

From there he put on an all-time great performance in the missionary position… so good in fact that when it was over I stood up and gave him a standing ovation.

We took another break they got ready for the next scene which was the mondo bizarro of all sex scenes, From the ceiling they dropped down three trapezes.

They brought out five more guys, put three on the trapeze which forms sort of square around Marilyn, put one more underneath her, and put another in there just copping feels.

Along with that they put the six girls around her. Marilyn was sitting upright on top of one guy with his dick in her, one cat and six other chicks caressing and licking her, jacking off the two guys on the trapezes on either side of her, and sucking off the guy in the middle.

Just keeping one guy up can be a problem in this case it would have been a nightmare. While all of this action was taking place on stage, Jim walked through the audience and told everyone to start masturbating.

I copped out by pulling my shirttail out and covering my lap, sticking my hand underneath, and paying no attention to anyone else.

Since I was supposedly one of the stars, I got two girls, I was laying down on the floor with one girl going down on me and another sitting on my face.

I want you to push these two chicks off, pull on your pants, run up and grab Marilyn and take her out the door.

I can kick back and watch everyone else this time. After we ran through the scene again, Marilyn and I walked back into the shadows and watched everyone else watch everyone getting it on.

The most notable performance of the day was put in by Johnny Keyes, who, before the day was over, had gotten it on with five different chicks.

At one point, I saw him up on stage fucking one chick from behind dog style while she was going down on another chick.

That cat certainly had a lot of endurance. The morning that Marilyn and I were finally going to do our solo scene, I knew that she had already been through a lot and so I tried my best to remain mellow and at the same time to mellow her out.

I was still going into each sexual scene with a lot of hangups, but I felt that since this one might be the last that I would try to be in control.

I figured if I could control my own neurosis then perhaps Marilyn and I would be able to just get into it and enjoy it.

They wanted to shoot our scene and then put special effects behind it, which meant that we both had to be made up from head to foot.

Every square inch of our bodies is going to be covered with makeup. They were also going to shoot us against a black back drop.

With all that makeup, I knew it was going to be a bummer. So you have to constantly have your makeup touched up. When it came time to start the action, Marilyn and I were really into each other so it started off really well.

The mood of everyone involved was very professional. We just did the scenes and there was no bullshit.

The crew and I threw one liners at each other, but this time we laughed because they were just good natured jabs, whereas before I used to get uptight.

The only problem was that Marilyn kept complaining that she was getting sore… I guess after what she had been through prior to this.

So we took a Vaseline break. About all you can do is laugh and hug your partner a little tighter. I guess I had become to hung up over it by that time.

So, we just faked it and then it was over. We went upstairs to the shower, locked the door, turned on the water and proceeded to finish what we had started downstairs… It was really far out because I had worked with girls that soon as the director said cut they were already in their pants with their hand out for the check.

For the premiere, the Mitchell Brothers threw a large party at the theatre. There were about four hundred people jammed into the lobby of the theatre including the cast, their friends, the press, and radio and television people.

I went with my roommate Smokey, who ate a bunch of clear-lite acid before we left, Fat Larry the lawyer, and my girlfriend at the time, Gunilla, a blond nursing student from Sweden.

The film was late arriving from the lab where they had been putting the last minute touches on the sound track.

By the time the film finally arrived everyone was thoroughly wasted on champagne and joints of marijuana wrapped in green papers that were passed out to the crowd.

Smokey and Larry were down on their hands and knees asking people to move so they could find something they had dropped on the floor.

I asked them what they were looking for and Smokey said he thought he had dropped a joint on the floor. Even when a pretty San Francisco socialite came over to me and asked if I would sit with her.

I had to turn her down. I sat alone in the bobby while the movie played. I wanted to leave but at the same time I wanted to hear what my friends thought of the film.

From the noise and reaction inside the theatre I could tell that the people were digging the film. Mitchell , Jim Mitchell as James L. Writer: Anonymous story.

Stars: Marilyn Chambers , George S. Added to Watchlist. Guide for the Film Fanatic by Danny Peary. Sex, Censorship and the Silver Screen.

Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Marilyn Chambers Gloria George S.

Barry Clark Johnnie Keyes African Stud Elizabeth Knowles Matron as Lisa Grant Yank Levine Dudley Toni Attell Mime as Toad Attell Ben Davidson Doorman Adrienne Mitchell Waitress Dana Fuller Cook Dale Meador Parking Lot Attendant Tony Royale Guard Bunny Brody Learn more More Like This.

The Devil in Miss Jones. The Opening of Misty Beethoven. Resurrection of Eve. Taboo II. Deep Throat Adult Comedy. Adult Comedy Fantasy.

Debbie Does Dallas The Grafenberg Spot Adult Drama. The Image Jean becomes interested in friend Claire's kinky sex with slave Anne.

Score Comedy Drama Adult. The Devil in Miss Jones Adult Drama Fantasy. Insatiable The Opening of Misty Beethoven Adult Comedy Romance.

The film features several multicolored, optically printed , slow-motion close-ups of money shots.

The narrator then runs from the audience onto the stage and carries Gloria off through the green door. Several years after Andy Warhol 's seminal Blue Movie in , and along with Deep Throat , also released in , Behind the Green Door helped launch the " Golden Age of Porn " — , [2] and somewhat later, the " porno chic " boom.

It was the one of the biggest box office pornographic successes of the s, alongside Deep Throat and The Devil in Miss Jones.

Chambers was relatively unknown at the time; however, the film made her a star. That Chambers's image was so well known from Ivory Snow boosted the film's ticket sales, and led to several jokes on television talk shows.

Upon its release, the film received positive reviews in mainstream media. The Supreme Court's Miller v. California decision adversely affected the mainstream release of porn films, including Behind the Green Door.

Miller continued to hold that obscenity was not protected by the First Amendment , which gave leeway to local judges to seize and destroy prints of films adjudged to violate local community standards.

The movie featured no famous performers, and starred an Elisa Florez who billed herself as Missy Manners.

Florez was Artie Mitchell's girlfriend at the time, and she reportedly demanded the role from him. It was the first "safe sex"-themed porn film, and was produced as a response to the s AIDS outbreak in San Francisco.

But Behind the Green Door: the Sequel was a critical and commercial disaster, and the Mitchells lost hundreds of thousands of dollars.

The updated film stars Brooklyn Lee as the main character Hope, a wealthy young woman drawn into a seedy underworld while on an erotic journey to find her birth mother.

The movie also includes footage of the original Behind the Green Door as Hope describes a sexual fantasy that recalls the plot of the film.

From Wikipedia, the free encyclopedia. Marilyn Chambers.

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