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Unusually, the tube station, where the city gent gets chomped, is the busy Tottenham Court Road Station , though filmed in the wee small hours.

Needless to say, the Zoo has had a major makeover in the intervening years, though you can still see its famous Mappin Terraces , those reinforced concrete mountain structures, now rebranded as The Outback , home to emus and wallabies.

Unable to get arrested by an unflappable British copper, David hides out in the Eros Cinema which stood on the north side of Piccadilly Circus , which happens to be showing — yes!

You can see the cinema in its heyday in when the kids go to see the 'Siege of Burgundy' in classic Ealing comedy Passport To Pimlico.

And once again John Landis demonstrates his talent for staging major set-pieces in impossible locations by setting the climactic mayhem smack in the middle of Piccadilly Circus itself — although, if you look carefully, you can see a wobbly street sign.

In fact, some of this sequence was filmed on a mock-up of the Circus at Twickenham Studios. But you'd be hard pressed to find that old alleyway where the wolf is finally cornered anywhere near the West End.

This was filmed in Southwark , south of the river, between Southwark and London Bridges. This was an area of old warehouses criss-crossed by narrow cobbled lanes which has since been massively redeveloped.

Contemporary sources claimed that the final confrontation was filmed on Winchester Walk, where a false wall was built across the road to give that dead end.

This was difficult to verify because of the extensive rebuilding but, after several others including the always excellent ReelStreets , mentioned the filming site was nearby Clink Street , it was time to revisit.

Southwark is a fascinating historic area. Lying just across the River Thames and therefore outside the jurisdiction of the old City of London, it became the area for disreputable entertainment — brothels, bear-baiting and even theatre the Globe where many of William Shakespeare 's plays were first performed was close by, as is the modern reconstruction, Shakespeare's Globe.

Although there are now many modern properties, the original road layout and the footprint of the buildings has been preserved. Going back to American Werewolf , it's clear that the final scenes were indeed staged on Clink Street , where the police arrive on the scene chasing through the brick tunnel which runs east, beneath the railway lines, from Bank End.

The building you can see at the end of the tunnel is now the Clink Prison Museum , standing on the site of the old Clink Prison, dating from , and which was notorious enough for the name 'clink' to become general slang for lock-ups.

Clink Street turns and widens slightly to become Pickfords Wharf , and that's where the 'cul-de-sac' wall was built for the film's tragic ending.

Much of the north side of Clink Stree t is still recognisable but the south side, which remained a mix of wasteland and crumbling brickwork at the time of filming, has been completely rebuilt.

Just behind where the false dead-end was built, stands St Mary Overie Dock where you'll now find a reconstruction of the Golden Hinde , the ship in which Sir Francis Drake circumnavigated the globe at the end of the s.

Although the old buildings are gone, you'll recognise the slight crook as the street narrows. Another bit of tourist info if you're visiting: on the right here you can now see what remains of the grand 12th Century Winchester Palace, uncovered during all the redevelopment in the Eighties.

Surprisingly, it has location shooting with Dee, including a dialog scene on Westminster Bridge, with the Houses Of Parliament as backdrop. Relying on low budget SFX, the filmmakers have a go at reproducing the principal scenes of the first film.

Dee is lovely and winning as the girl who helps him except for her distracting, hideous tattoos , with a prominent Welsh accent. Ward is extremely engaging as another top-heavy nurse, with a full-on scene with a doctor that is the most satisfying of the picture.

Overall, this is a fun, breezy remake, with a number of well made hardcore scenes. Sign In. Keep track of everything you watch; tell your friends.

Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords.

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Alternate Versions. Rate This. Director: Jim Powers. Writer: Jim Powers. Added to Watchlist. Use the HTML below.

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You can see the cinema in its heyday in when the kids go to see the 'Siege of Burgundy' in classic Ealing comedy Passport To Pimlico. And once again John Landis demonstrates his talent for staging major set-pieces in impossible locations by setting the climactic mayhem smack in the middle of Piccadilly Circus itself — although, if you look carefully, you can see a wobbly street sign.

In fact, some of this sequence was filmed on a mock-up of the Circus at Twickenham Studios. But you'd be hard pressed to find that old alleyway where the wolf is finally cornered anywhere near the West End.

This was filmed in Southwark , south of the river, between Southwark and London Bridges. This was an area of old warehouses criss-crossed by narrow cobbled lanes which has since been massively redeveloped.

Contemporary sources claimed that the final confrontation was filmed on Winchester Walk, where a false wall was built across the road to give that dead end.

This was difficult to verify because of the extensive rebuilding but, after several others including the always excellent ReelStreets , mentioned the filming site was nearby Clink Street , it was time to revisit.

Southwark is a fascinating historic area. Lying just across the River Thames and therefore outside the jurisdiction of the old City of London, it became the area for disreputable entertainment — brothels, bear-baiting and even theatre the Globe where many of William Shakespeare 's plays were first performed was close by, as is the modern reconstruction, Shakespeare's Globe.

Although there are now many modern properties, the original road layout and the footprint of the buildings has been preserved.

Going back to American Werewolf , it's clear that the final scenes were indeed staged on Clink Street , where the police arrive on the scene chasing through the brick tunnel which runs east, beneath the railway lines, from Bank End.

The building you can see at the end of the tunnel is now the Clink Prison Museum , standing on the site of the old Clink Prison, dating from , and which was notorious enough for the name 'clink' to become general slang for lock-ups.

Clink Street turns and widens slightly to become Pickfords Wharf , and that's where the 'cul-de-sac' wall was built for the film's tragic ending.

Much of the north side of Clink Stree t is still recognisable but the south side, which remained a mix of wasteland and crumbling brickwork at the time of filming, has been completely rebuilt.

Just behind where the false dead-end was built, stands St Mary Overie Dock where you'll now find a reconstruction of the Golden Hinde , the ship in which Sir Francis Drake circumnavigated the globe at the end of the s.

Although the old buildings are gone, you'll recognise the slight crook as the street narrows. Another bit of tourist info if you're visiting: on the right here you can now see what remains of the grand 12th Century Winchester Palace, uncovered during all the redevelopment in the Eighties.

Eagle-eyed location spotters might just about make out in the dark distance on the north side of Clink Street , the warehouse which went on to become the smart apartment of Daniel Cleaver Hugh Grant in Bridget Jones's Diary the Globe Pub, above which Bridget lives, is just a little to the south on Bedale Street.

And if all this exploring leaves you needing a sit down and a drink, the western entrance to the Clink Street tunnel faces the Anchor Tavern, the pub where Ethan Hunt Tom Cruise unwinds at the end of Brian De Palma 's Mission: Impossible.

Flights: Heathrow Airport ; Gatwick Airport. When asked about the incident, the pub-goers deny any knowledge of David, Jack, or the attack.

However, one distraught pub-goer speaks to Dr. Hirsch outside the pub and says David should not have been taken away, and that everyone else will be in danger when he transforms.

Upon his release from intensive care, David moves in with Alex Price, a young nurse who grew infatuated with him in the hospital. He stays in Alex's London apartment, where they later have sex.

Jack, in a more advanced stage of decay, appears to David to warn him that he will become a werewolf the next night.

Jack again advises David to take his own life to avoid killing innocent people, but David refuses to believe him.

When the full moon rises, David painfully transforms from his human form into a werewolf. David, now in werewolf form, prowls the streets and the London Underground , killing and slaughtering six people in the process.

He wakes up the next morning naked on the floor of a wolf enclosure at the London Zoo , with no recollection of what happened, and manages to make his way back to Alex's apartment.

After realising that he became a werewolf and was responsible for the previous night's murders, David unsuccessfully attempts to get himself arrested in Trafalgar Square.

He goes to Piccadilly Circus , calling his family from a phone booth to say he loves them, then loses courage when he attempts and fails to slit his own wrists with a pocket knife.

David then suddenly sees Jack, in a yet more advanced stage of decay, outside of an adult movie theatre.

Inside, Jack is accompanied by David's victims from the previous night, most of whom are furious with David and suggest different methods for him to commit suicide.

David transforms again into a werewolf inside the movie theatre. He decapitates Inspector Villiers, and wreaks havoc in the streets, causing the deaths of many drivers and bystanders.

He is ultimately trapped and surrounded in an alleyway by the police. Alex runs down the alley in an attempt to calm David by telling him that she loves him.

Although David appears to recognizes her for a brief moment, he lunges forward and is shot by police. Alex cries while staring at David, reverted to human form, lying dead and naked on the ground.

John Landis came up with the story while he worked in Yugoslavia as a production assistant on the film Kelly's Heroes He and a Yugoslav member of the crew were driving in the back of a car on location when they came across a group of gypsies.

The gypsies appeared to be performing rituals on a man being buried so that he would not "rise from the grave.

Landis wrote the first draft of An American Werewolf in London in and shelved it for over a decade. Two years later, Landis wrote, directed, and starred in his debut film, Schlock , which developed a cult following.

Financiers believed that Landis' script was too frightening to be a comedy and too funny to be a horror film. According to Entertainment Weekly , the real star of this film is the Oscar-winning transformation effects by Rick Baker , which changed the face of horror makeup in the s.

Filming took place between February and March because director John Landis wanted the film to take place during poor weather. The moors were filmed around the Black Mountains in Wales , and East Proctor is in reality the tiny village of Crickadarn , about six miles southeast of Builth Wells off the A The Angel of Death statue was a prop added for the film, but the red phone box is real, though the Welsh road signs were covered by a fake tree.

The pub shown in the film known as the Slaughtered Lamb was actually a cottage located in Crickadarn , and the interior scenes were filmed in the Black Swan, Old Lane, Martyrs Green in Surrey.

Landis accomplished this by inviting members of London's Metropolitan Police Service to a screening of his then-newly released film The Blues Brothers.

Traffic was stopped only three times for two-minute increments to film the automobile stunts involving the double-decker bus. The film's ironically upbeat soundtrack consists of songs which refer to the moon.

Bobby Vinton 's slow, soothing version of " Blue Moon " plays during the opening credits, Van Morrison 's " Moondance " plays as David and Alex make love for the first time, Creedence Clearwater Revival 's " Bad Moon Rising " plays as David nears the moment of changing to the werewolf, a soft, bittersweet ballad version of "Blue Moon" by Sam Cooke plays during the agonizing wolf transformation, and the Marcels ' doo-wop version of "Blue Moon" plays over the end credits.

Bernstein's score can be heard during David's nightmares, when Dr. Hirsch drives through the moors to East Proctor, and when Alex confronts David in the alley.

Though Bernstein wrote and recorded music to accompany the transformation scene, the director chose not to use it. The three-minute passage was eventually released by Bernstein under the title "Metamorphosis".

This would be the last time Universal would release the movie on home video for 17 years. It was presented in a non-anamorphic widescreen transfer and contained the film's theatrical teaser trailer.

Universal would eventually get the video rights back and released a 20th-anniversary "Collector's Edition" DVD on September 18, , making it the first time Universal released the film on home video since A coinciding VHS was released on the same day.

The Region 2 DVD release does not include a scene that is fully intact on the Region 1 release and all previous Region 1 and 2 releases.

The scene takes place near the end of the film where the character of David calls his parents from a public telephone box. All but the end of this scene had been cut from the Region 2 release because the distributors felt that use of a public phone box, as opposed to a mobile phone, would date the film.

As of October , Universal said that they were scrapping all existing faulty stock and issuing replacement DVDs.

All Blu-ray releases, however, are intact. In , Universal re-released the film on Blu-ray as a "Restored Edition" to commemorate the 35th anniversary of the film's release.

The critical consensus states: "Terrifying and funny in almost equal measure, John Landis' horror-comedy crosses genres while introducing Rick Baker's astounding make-up effects.

Halliwell's Film Guide described the film as a "curious but oddly endearing mixture of horror film and spoof, of comedy and shock, with everything grist to its mill including tourist Britain and the wedding of Prince Charles.

The special effects are notable and signalled new developments in this field. Roger Ebert 's review was less favourable; he stated that " An American Werewolf in London seems curiously unfinished, as if director John Landis spent all his energy on spectacular set pieces and then didn't want to bother with things like transitions, character development or an ending.

An Empire magazine poll of critics and readers named An American Werewolf in London as the th-greatest film of all time in September An American Werewolf in London is chiefly appreciated as a milestone in the comedy-horror genre and for its innovative makeup effects.

The Daily Telegraph stated that it was "the first mainstream hit which managed to make its gross-out effects simultaneously shocking and hilarious" and called the signature werewolf transformation scene "stunningly ingenious, without a computer effect in sight, but also suffused with squirm-inducing agony.

Pat Reid of Empire , reviewing the film in , thought that the blending of comedic and horror elements "don't always sit well side-by-side," but called the transformation scene "undoubtedly a classic" because of its "good old-fashioned makeup and trickery making the incredible seem real.

Rolling Stone ' s Joshua Rothkopf, writing on the 35th anniversary of the film's release, called An American Werewolf in London an "allegory of exoticized Jewishness".

Michael Jackson , who was a fan of the film, chose John Landis to direct and Rick Baker to direct makeup effects for his Thriller music video based on the strength of their work in An American Werewolf in London.

It went on to become one of the most lauded music videos of all time. Director John Landis has expressed regret over changing, and even cutting, certain sequences from the final cut of the film in order to earn an R rating in the United States.

The sex scene between Alex and David was edited to be less explicit, and an extended scene showing the homeless men along the Thames being attacked by the werewolf was eliminated after a test audience reacted negatively to it.

Landis also concluded that the werewolf transformation scene should have been shorter—he was so fascinated by the quality of Rick Baker's effects that he spent more time on the scene than he otherwise would have.

Hirsch, respectively. The film was followed by a sequel , An American Werewolf in Paris , released in In June , it was announced that Dimension Films was working with producers Sean and Bryan Furst on a remake of the film.

This has since been delayed due to other commitments. In December , Max Landis confirmed on Twitter that he had completed the first draft of the script.

In the wake of those allegations, it remains unknown if Landis will be replaced or if the project will be put on indefinite hold.

From Wikipedia, the free encyclopedia. Theatrical release poster. George Folsey Jr. Release date. Running time. United Kingdom [2] United States [2].

This section needs expansion. You can help by adding to it. August This article is missing information about theatrical run.

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